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153
1418878

Karin Mamma Andersson

(Sweden, Born 1962)
Estimate
200 000 - 250 000 SEK
17 900 - 22 300 EUR
18 100 - 22 700 USD
Hammer price
340 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Karin Mamma Andersson
(Sweden, Born 1962)

'Vad såg vi?'

Signed Mamma Andersson and dated 2000 on verso. Oil on panel 44.8 x 49.8 cm.

Provenance

Galleri 1, Gothenburg.
Lars Wetterling Collection.

Exhibitions

Galleri 1, Gothenburg, "Mamma Andersson", 1 February - 18 February 2001.
Konstens hus, Luleå, "Karin Mamma Andersson", 24 February - 25 March 2001.

More information

Karin Mamma Andersson is one of our most treasured contemporary artists. After having represented Sweden at the Venice Biennale in 2003 and getting her big media breakthrough, her art has been shown in countless prestigious contexts all over the world. She is one of only a handful of Swedish artists with galleries in Stockholm, London and New York. The painting in the auction, 'Vad såg vi?' [What did we see?], was exhibited at Konstens Hus in Luleå, 2001. This is Mamma Andersson’s home town and an environment that is close to her heart. The Swedish northern landscape and light is a constant, recurrent theme in her work.
In 2006 she was awarded first prize by the Carnegie Art Award and the following year she had her first solo show at Moderna Museet in Stockholm, which went on to tour Helsinki and London. With this a strong foundation was laid for the next part of Mamma Andersson’s career. Several of her pieces were recently shown at last year’s celebrated exhibition Humdrum Days at the Louisiana Museum of Modern Art in