No connection to server
Theme auctions online
Helsinki Winter Sale F504
Auction:
Selected Gifts E1128
Auction:
Curated Timepieces – November F529
Auction:
Josef Frank and Friends – Winter Edition F534
Auction:
Jern's Weapon Collection E1122
Auction:
A Swedish Private Collection F578
Auction:
The Beautiful Line F593
Auction:
Design Jewellery Online E1100
Auction:
715
1302943

Roberto Matta

(Chile, 1911-2002)
Estimate
250 000 - 300 000 SEK
22 200 - 26 700 EUR
22 700 - 27 200 USD
Hammer price
250 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Marcus Kinge
Stockholm
Marcus Kinge
Specialist Prints
+46 (0)739 40 08 27
Roberto Matta
(Chile, 1911-2002)

"Pomme de Mer"

Signed. Executed 1968. Canvas 105 x 85 cm. A certificate of authenticity executed by Alisée Matta, Archives de l'oeuvre de Matta is included with the lot.

Saleroom notice

Executed 1968.

Provenance

Alexander Iolas, New York.
Galerie Börjeson, Malmö, acquired from the above in 1970.

More information

Roberto Matta was born in 1911 in Santiago, Chile. The family belonged to the country's leading social class. After graduating in architecture in 1931, he left Chile and went to Italy, Spain, Yugoslavia, England, and the Soviet Union. At the age of 23, Matta worked in Paris as a draftsman in the studio of the renowned architect Le Corbusier. Through friends and recommendations, Matta had the opportunity to meet Salvador Dalí. The Catalan artist was very impressed by the young architect's drawings and invited him to show these works to the French poet André Breton, the leader and main theorist of surrealism. The drawings made a strong impression on Breton and in 1937 Matta joined the surrealist group. At the outbreak of World War II in 1939, several members of the surrealist group left Europe and went to the United States. In New York, Matta became the link between the European surrealists and the New York School of artists. He came to stay until 1948, after which he returned to Europe and France.
Matta settled in Paris in 1954 and in the coming years made several trips to Cuba, South America and Africa. In addition to his painting, Matta has also explored other techniques, including sculpture, ceramics, photography, and video installations.
Matta's paintings show an inner infinite space, an indefinite sphere that gives the imagination free rein and where the eye follows organic, geological and geometric formations in constant transformation.