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1374420

Harald Notini

(Sweden, 1879-1959)
Estimate
20 000 - 25 000 SEK
1 790 - 2 230 EUR
1 820 - 2 270 USD
Hammer price
38 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Camilla Behrer
Stockholm
Camilla Behrer
Head of Design/ Specialist Modern & Contemporary Decorative Art & Design
+46 (0)708 92 19 77
Harald Notini
(Sweden, 1879-1959)

a 'model 15084' floor lamp, Böhlmarks, Stockholm 1930s.

Metal base with green and black lacquered details, marked 1508, 15028, adjudstable height ca 124 cm, diameter of the shade 38,5 cm.

Three small metal feet are missing, wear, rewired, electrical function can not be guaranteed.

Provenance

Director Vitalis Johansson, KF and Gustavsberg.

Literature

Huldt, Åke H., Hörlén, Mattis & Seitz, Heribert (ed), Konsthantverk och hemslöjd i Sverige 1930-1940, Bokförmedlingen, Göteborg, 1941, p 400.

Designer

Harald Notini was a designer and artistic director at Arvid Böhlmarks Lampfabrik and Pukebergs Glasbruk. When Notini came to Böhlmarks in 1916, he was hired as artistic director both for the Stockholm factory and for the glass production at Pukeberg. With the new artistic director Notini, Böhlmarks was led into a modern, innovative direction that characterized above all the company's range of new, up-to-date fixtures and glass. A large part of Böhlmark's catalogs during the first half of the 20th century consisted of traditional chandeliers and other fixtures in older style imitations. Notini's strength lay in driving the company's design office forward and producing what were considered at the time to be ground-breaking and distinctive fixtures. His personal expression spans between the most elegant Swedish Grace during the 1920s, strictly functionalist fixtures that were presented at the Stockholm Exhibition in 1930, to the Swedish Modern aesthetic, which is highly appreciated today with fixtures in above all brass with details in glass, wood and leather from the 1940s and 50s.

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