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1391551

Anders Krisár

(Sweden, Born 1973)
Estimate
350 000 - 400 000 SEK
30 900 - 35 400 EUR
31 700 - 36 200 USD
Hammer price
275 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Anders Krisár
(Sweden, Born 1973)

"Untitled"

Signed Krisár and dated 2011-12. Edition 1/3 +2 AP. Acrylic paint on polyester resin, polyurethane, board, oil paint, and screws. 109 x 39.4 x 68 cm.

Provenance

Acquired from the artist.
Private Collection, Stockholm.

More information

Anders Krisár (b. 1973, Stockholm) studied at Konstfack University of Arts, Crafts and Design in Stockholm and the School of Communication Arts in London, and as a composer at New York University. He previously worked as an Art Director and started on his artistic path via photography. Krisár is a perfectionist and his sculptures are well-polished depictions of androgynous bodies.

An exhibition text from the Christian Larsen Gallery reads:
The pursuit of an impossible perfection and purity marks Anders Krisár’s entire artistic oeuvre. In an early interview, in connection with publishing of his award-winning photographic book Chords No. 1-17 , Krisár expresses: I want to achieve absolute purity, to depict a world without people and thoughts. Since then, Krisár has included people in his artistic universe, but he chose to put them in a form as pure as was physically possible.
However, Krisár’s stripped, de-sexed and mute sculptural figures reveal something about a human emotional state that is far from "clean". Krisárs sculptures with child torsos with deep imprints of an adult hand, or bodies split in two, holding hands with the other half - are in fact obsessively polished ”Gordian knots" of hurting, longing, splitting, and yearning to reunite. According to neurobiology and modern psychology, the pursuit of absolute purity and perfection is the brain's way of compensating for the inner emotional turmoil, and Krisár’s art seems to be a physical manifestation of this contradiction.