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356
1332212

Nathalie Djurberg & Hans Berg

(Sweden, Born 1978)
Estimate
850 000 - 950 000 SEK
76 000 - 84 900 EUR
77 100 - 86 200 USD
Hammer price
880 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Nathalie Djurberg & Hans Berg
(Sweden, Born 1978)

"So Much Delights" from "Delights of an Undirected Mind"

Signed certificate included in lot. Executed in 2016. Fabric, filling, wire, epoxy resin, silicone, paint, wood 60 x 70 x 55 cm.

Provenance

Lisson Gallery, London.
Private Collection, Luxembourg.

More information

The sculpture 'So Much Delights' depicts a crocodile posing on a black pad with a baby rattle in one hand and a whip in the other. The character plays a role in Nathalie Djurberg and Hans Berg’s video piece 'Delights of an Undirected Mind' from 2016. The video was shown at the Lisson Gallery in London, in a group show with the same name, in August 2021. Millie Walton visited the exhibition on behalf of the Guardian and was attracted by the intricate history of the piece: “The narrative plays out mainly in a child’s bedroom, where a little girl is being put to bed by an elephant in a dressing gown, but it’s when a tiger starts suckling at a cow’s teats that things get really out of hand. In comes a giraffe, a gleaming black octopus, a unicorn, a pair of cucumbers spooning, a mouse caressing a piece of cheese with legs and a crocodile wielding a leather whip. There’s a lot of caressing and writhing around on the bed, and then a can of condensed milk spills its sticky contents all over the sheets. It’s a humorous and hedonistic scene that vividly illuminates the darker undertones of children’s fairytales, but also makes reference to modern–day greed and the hypersexualisation of culture.”