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Inger Ekdahl

(Sweden, 1922-2014)
Estimate
30 000 - 40 000 SEK
2 680 - 3 580 EUR
2 750 - 3 660 USD
Hammer price
60 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Amanda Wahrgren
Stockholm
Amanda Wahrgren
Specialist Modern Art, Prints
+46 (0)702 53 14 89
Inger Ekdahl
(Sweden, 1922-2014)

"Kosmisk komposition"

Signed Inger Ekdahl and dated -59 on verso. Canvas 38 x 61 cm.

Exhibitions

Malmö Konsthall, "Ragna Bley & Inger Ekdahl", 1 February – 10 May 2020.
Artipelag, Stockholm, "Signature Women - 100 år på den svenska konstscenen", 8 March 2020 – 29 November 2020.

Artist

Inger Ekdahl was the first woman in Sweden to work with non-figurative art. Her work evolved from rhythmic splashes to optically refined play of forms. With straight lines and geometric precision, she cements movement onto her canvases.

Ekdahl was born in Ystad 1922 and distanced herself from her bourgeois upbringing to become an artist. After meeting her husband, the artist Erik H Olson, she studied painting under the tutorship of Isaac Grünewald and Otte Sköld. Yet it was the couple's trips to Europe and their travels to Switzerland, Italy and France which became critical for her artistic development.

As a part of the avant-garde schene in 1950s Paris, Ekdahl she encountered both concretism with its objective color fields and the informal art’s inclination towards the spontaneous and dissolved. Even more critical was the influences from the American abstract expressionistic movement, where artists such as Jackson Pollock and Lee Krasner would drop and lower colour across the canvas. In contrast to their spontaneous dynamic paintings, which vibrated with nervous energy, the foundations of Ekdahl's techniques are born out of detailed planning.

Ekdahl covered her canvases and masonite boards with white, blue or black and then let the colours roll and drop towards the base. The result is reminicsent of complex, intuitive sun and star system. In Paris, Ekdahl met the artists Jean Arp and Victor Vasarely who inspired her geometric yet visually playful compositions, which become an identifier of her art during the 1960s. Artworks which challenged the eye's understanding of the surface and pictoral depth, perspective and volume through dizzying graphic patterns.

Ekdahl died in 2014 and her artistic estate was donated to the Ystad Art Museum. With her passing, her artistic career has been highlighted with several exhibitions, most recently with Ragna Bley at Malmö Art Hall in 2020.

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