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593
1315656

Liss Eriksson

(Sweden, 1919-2000)
Estimate
90 000 - 100 000 SEK
8 220 - 9 130 EUR
8 410 - 9 350 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Amanda Wahrgren
Stockholm
Amanda Wahrgren
Specialist Modern Art, Prints
+46 (0)702 53 14 89
Liss Eriksson
(Sweden, 1919-2000)

"á Francesca"

Signed and numbered LE I/III, executed in 1994. Patinated bronze (cire perdue), length 64, width 30, height 54,5 cm.

Provenance

Acquired by the present owner at Åmells Konsthandel, Stockholm, 2005.

Exhibitions

Galerie Ann Westin Sotheby's, Stockholm, "Liss Eriksson - Skulptur", 1996.
Prins Eugens Waldemarsudde, "Liss Eriksson - Bildhuggare", Stockholm, 2000, cat no 12.

Artist

Liss Eriksson was born in Stockholm and was the youngest child of the sculptor Christian Eriksson and Ebba Dahlgren. He grew up in his father's studio on Maria Prästgårdsgatan in Södermalm, Stockholm. He initially studied to become an architect at Norrköpings Technical High School in 1938, but quickly aborted his schooling to study at the Royal Institute of Art under the tutorship of Nils Sjögren and Eric Grate.

In the year 1947, Eriksson participated alongside Arne Jones in the Exhibition Young Art at Färg och Form, which sparked interest with the artist group 1947 års män. After this Eriksson travelled to Paris with his wife and artist Britta Reich-Eriksson (born 1918) and studied under Jean Osouf and Henri Laurens, staying in the city until 1951, when he later moved back to Stockholm and took over his father's studio.

Liss Eriksson was early on influenced by the French school, Aristide Maillol and Henri Laurens, but even by the Swiss artist Alberto Giacometti.

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