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1294711

Lars Lerin

(Sweden, Born 1954)
Estimate
300 000 - 400 000 SEK
26 800 - 35 700 EUR
27 200 - 36 300 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Lars Lerin
(Sweden, Born 1954)

From the series "Neverland"

Executed in 2013. Watercolour on paper 101 x 152 cm.

Provenance

Lars Bohman Gallery, Stockholm.
Private collection, Stockholm.

Exhibitions

Lars Bohman Gallery, Stockholm, 2 October – 31 October 2014.

Literature

Lars Bohman Gallery, Lars Lerin m.fl, "ARKIV Lars Lerin", 2014, illustrated on p. 109.

More information

Lars Lerin’s much celebrated 2014 solo show Arkiv at Lars Bohman Gallery included, as well as his large watercolours of bookshelves or display cases with taxidermy birds, brightly-coloured depictions of theatres, cathedrals and fairgrounds (for example, Michael Jackson’s private fairground ‘Neverland’). Both critics and the public praised the mix of the spectacular and the ordinary in his imagery. Here, finally, was Lerin’s entire range on show. The large watercolour in the auction is from the series Neverland and was displayed in the exhibition right next to its ‘sister’ painting. Since then it has remained in the same private collection.
Lars Lerin is one of Sweden’s most beloved artists. Through his technically brilliant watercolours he captures the Swedish soul in a way few other artists have managed. There is a kind of magnificent melancholy and a tenderness for small everyday moments in his work. Nobody or nothing is too insignificant or trivial to catch Lerin’s eye; pinned butterflies, sailors longing for love, archival folders, sunsets in Northern Norway, family albums, typical 1960s tower blocks or Elsa in the village of Skräddartorp with her 28 cats. All this is immortalised in a sensitive and assured style, by an artist who dares to reveal his own vulnerability.