A group of dehua figurines, Qing dynasty, circa 1700.
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A Dehua group of the lovers and the story of Wanqi, late 17th Century, modelled with the lovers standing embracing in front of a screen, with an official looking on from their left. Height 10,2 cm. A small Dehua model of a horse, the animal standing four square on a rectangular base, with saddle and bridal. Heihgt 8 cm. A small group with a man riding a tiger, the man astride the animal who is crowching down. Height 4,5 cm.
Fritts, wear.
Provenance
From the Parkfelt Collection. For previous sales from this collection see sale 2014, Sale 583, lot no 200. A massive Chinese Export 'Hong' punch bowl, Qing dynasty, Qianlong (1736-95) and the Chinese school painting of the Hongs lot no 347, in the same sale.
Purchased from Bluett & Son, London, November 1974. From the Collection of Dr. C. M Franzero. Depicted in the Bluett & Son Catalogue, lot no 66, 73 and 76. Pl 14- 16.
Literature
Dr C. M. Franzero was an Italian who settled in London and built up an international reputation as a journalist and author. [...] Dr Franzero's first contact with Chinese porcelain was during his visit to China as a budding writer in the far away years of 1921 - 22. [...] However, it was not until 1932 that he was in a position to start buying Chinese porcelain at first modestly in the Caledonian Market. But his serious collecting dates from the war years when his articles in the Daily Telegraph, afterwards published in book form, brought him some affluence. He came to know the dealers and recalls with pleasure the hours he spent with Edgar and Leonard Bluett, 'that charming man' Peter Sparks, 'old Hancock' and H. R. N. Norton, who, Dr Franzero tells us, used to say his initials stood for 'His Royal Nothingness'. He says they all seemed to enjoy treating him like a pupil and from them he learnt how to distinguish real quality. It was at this time he acquired his taste for wares enamelled in three colours on biscuit and Fukien blanc-de-Chine [...] Dr Franzero emphasizes that his self-imposed rule in collecting has been to be guided solely by taste and to accept a degree of damage if a piece is of sufficient quality and beauty."