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Important Spring Sale 625 Stockholm552554
553
1207173

A blue and white Transitional jar, 17th Century.

A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
A blue and white Transitional jar, 17th Century.
Estimate
20 000 - 30 000 SEK
1 780 - 2 670 EUR
1 820 - 2 730 USD
Hammer price
55 000 SEK
Purchasing info
For condition report contact specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Senior specialist Asian Ceramics and Works of Art, European Ceramics and Glass
+46 (0)739 40 08 02
→ Sell with Bukowskis
 Pdf print out
A blue and white Transitional jar, 17th Century.

Decorated in blue and white with a mythical beast in a garden. Height 27,5 cm. Wooden cover accompanies the piece.

Firingdefect visable around the waist. Wear to glaze.

Provenance

From the Collection of Emil Hultmark (1872-1943). Emil Hultmark was one of the co-founders of the ‘Kinaklubben’ (China Club) in Stockholm in the 1920's with Carl Kempe (1884-1967) and the Crown Prince Gustav Adolf. He is a well known collector and his beautiful home and summer house is well documented in the magazine 'Svenska Hem i ord och bild' in the 1930's, which provide us with a fascinating window into this golden age of European collecting.