Carl Malmsten
Image rights
The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.
For condition report contact specialist
four Swedish Grace chairs for the Stockholm Concert Hall, Nordiska Kompaniet, Sweden 1926.
Stained birch, two cold stamped B, seat height 47 cm, height 86 cm.
Wear, minor veneer damages.
Provenance
The Stockholm Concert Hall by Architect Ivar Tengbom, 1925-26. The furniture executed by Carl Malmsten.
Literature
Blomquist, Lena, Carl Malmsten: känd och okänd, 1. uppl., Jure, Stockholm, 2012, sid 165.
Bilder ur;
Wahlberg, Anna Greta, Carl Malmsten, Signum, Lund, 1988, 112.
Bergström, Anders, Arkitekten Ivar Tengbom: byggnadskonst på klassisk grund, Byggförl., Diss. Stockholm : Tekn. högsk., 2001,Stockholm, 2001, sid 202.
Designer
Carl Malmsten is one of Sweden's most famous furniture designers. Many of his furniture are considered modern design classics, for example, the cane chair "Lilla Åland", the armchair "Farmor", the sofa "Samsas", the cabinet "Herrgården", and the furniture series "Vardag".
Both "Lilla Åland" and "Vardag" adopted the ideals of "beautiful everyday goods" of the 1940s. Their neat shape and frugal design quickly became timeless interior details that we still see in many homes today.
At the beginning of his career, Malmsten interned at various carpentry workshops and studied furniture at Nordiska museet and Skansen. He had his breakthrough in 1916 when he was commissioned to design part of the interior of Stockholm's City Hall.
During his career, Malmsten collaborated with several architects, such as Ragnar Östberg, Ivar Tengbom, and Ferdinand Boberg. He designed furniture for Stockholm's concert hall and Ulriksdal castle. He participated in the now iconic hosing exhibition at Liljevalchs gallery in 1917, where the term "Beautiful everyday goods" was coined.
