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1138731

Peter Beard

(United States, 1938-2020)
Estimate
30 000 - 35 000 SEK
2 670 - 3 110 EUR
2 720 - 3 180 USD
Hammer price
20 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Peter Beard
(United States, 1938-2020)

"Jacques-Henri Lartigue", 1984

Signed and dated 1984 and bears dedication: "To the one & only L'artigue! Inestimable admiration Warmest Regards, Always Peter (Beard)". Triptyche framed together. Gelatin silver print, image 13 x 18 cm and 18 x 36 cm.

More information

The following words was published in The New York Times on April 19 2020 in conjunction to the tragic death of Peter Beard at the age of 82:

”Mr. Beard’s best-known work was the book “The End of the Game,” first published in 1965. Comprising his text and photographs, it documented not only the vanishing romance of Africa — a place long prized by Western colonialists for its open savannas and abundant big game — but also the tragedy of the continent’s imperiled wildlife, in particular the elephant.

[…]

In later years, Mr. Beard became famous for embellishing his photographic prints with ink and blood — either human (his own) or animal (from a butcher) — yielding complex, cryptic, multilayered surfaces.
He was also known for the idiosyncratic, genre-bending diaries that he had kept since he was a boy — profuse assemblages of words, images and found objects like stones, feathers, train tickets and toenail clippings — and for the large, even more profuse collages to which the diaries later gave wing.
But as renowned as he was for his work (he received solo exhibitions at the International Center of Photography in Manhattan, the Centre National de la Photographie in Paris and elsewhere), Mr. Beard remained at least as well known for his swashbuckling, highly public private life.
Even by the dashing standards of wildlife photography, his résumé was the stuff of high drama, full of daring, danger, romance and tall tales, many of them actually true. Had Mr. Beard not already existed, he might well have been the result of a collaborative brain wave by Hemingway, F. Scott Fitzgerald and Paul Bowles.
He was matinee-idol handsome and, as an heir to a fortune, wealthy long before his photographs began selling for hundreds of thousands of dollars apiece.
Besides documenting Africa’s vanishing fauna, he photographed some of the world’s most beautiful women in fashion shoots for Vogue, Elle and other magazines. He had well-documented romances with many of them, including Candice Bergen and Lee Radziwill, the sister of Jacqueline Kennedy Onassis.
“The last thing left in nature is the beauty of women, so I’m very happy photographing it,” Mr. Beard told the British newspaper The Observer in 1997.
He discovered one supermodel, Iman, and spun a fabulous legend about her origins. He was married for a time to another, Cheryl Tiegs.”