Jean-Michel Basquiat, after
"Hollywood Africans in Front of the Chinese Theater with Footprints of Movie Stars"
23-Color Screenprint on 4-ply Museum Board, 1983/2015, numbered 30/60, signed on verso on label by Lisane Basquiat and Jeanine Heriveaux from The Estate of Jean-Michel Basquiat, published by Flatiron Editions, New York. 96 x 214.8 cm. Certificate included in lot.
Provenance
Guy Hepner, New York, USA. Acquired by the present owner from the above.
More information
Jean-Michel Basquiat’s talent was obvious from the start. Within a decade he went from being an underground graffiti artist to becoming an international superstar, before passing away only 27 years old.
Basquiat, whose roots were Puerto Rican and Haitian, was hugely critical of how black people and other ethnic minorities were unappreciated in American society during the 70s and 80s. He expressed this in his paintings, which were frequently socially conscious, political and full of symbolism.
The motif in this print references his very famous 1983 painting Hollywood Africans, owned by the Whitney Museum of American Art in New York. It depicts Basquiat and his friends Toxic and Rammellzee. Toxic is the figure on the left, Rammellzee the central character, and with ‘RMLZ’ written above his head. The figure on the right represents Basquiat, recognisable by the hair. The work was made during an extended visit to Los Angeles, where Basquiat had his second solo show at the Gagosian Gallery. It refers to African Americans being underrepresented and marginalised in the film industry.
At once a poet and an artist, Basquiat challenged the art world by mixing the academic with the naive. The period when this work was made was highly significant to Basquiat as an artist. It is autobiographical, historical and explores contemporary issues important to him at the time, and which continue to be important today.
Artist
Jean-Michel Masquiat was born and lived in New York City in 1960 up until his death in 1988. He worked with graffiti and was a part of neoexpressionismen. His art features multicultural symbols, distorted figures, and biting social commentary. He was one of the first African-American artists that gained international fame and recognition in the art world, consitantly incorporating political dimensions into his art. Basquiat was influenced by everything from comic series, Alfred Hitchcock’s movies to anatomical studies. He quickly left school and became well known through his pseudonym SAMO, “Same Old Shit”. He would write cryptic messages on walls, found objects and commercial items. He created his own iconography, evoking Latin American, antiquated, and Greek imagery.
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