No connection to server
Theme auctions online
Systembolaget Wine and Spirits auction D066
Auction:
An Artist's Home F651
Auction:
Selected Finnish Classics F630
Auction:
Scandinavian Modern F606
Auction:
Selected Sculptures Spring F625
Auction:
Helsinki Design Sale F612
Auction:
Helsinki Spring Sale F613
Auction:
Live auctions
Contemporary Art & Design 662
Auction: April 15−16, 2025
Important Timepieces 663
Auction: April 15, 2025
Modern Art & Design 664
Auction: May 20−21, 2025
Important Spring Sale 665
Auction: June 11−13, 2025
292
1136344

Andreas Kock

(Sweden, Born 1973)
Estimate
40 000 - 50 000 SEK
3 800 - 4 750 EUR
3 990 - 4 990 USD
Hammer price
48 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Andreas Kock
(Sweden, Born 1973)

"Stalker II", 2010

Signed Andreas Kock and numbered 8/15 on label verso. C-print 119 x 159 cm.

Provenance

Link Image Art Edition, Stockholm.

More information

The Stockholm based Andreas Kock (b. 1973) is mainly working within the fashion world, his works are often characterized by a strong sense of attention to details where his staged sets continuously develops in a conceptual way. One could also see the strong influences from both icons within the art and film history, such as Helmut Newton and Alfred Hitchcock in Kock’s imagery.

He is perhaps most well known for his photography serie called “Stalker” where he is photographing different women through a window.

“His clear theatrical control of colors and light/ dark contrast are reminiscent of the American painter Edward Hooper. Thus he is bound to the desire for the subtextual, the stories that he only suggests with his photographs.”