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Olle Baertling

(Sweden, 1911-1981)
Estimate
350 000 - 400 000 SEK
30 900 - 35 400 EUR
31 700 - 36 200 USD
Hammer price
320 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Amanda Wahrgren
Stockholm
Amanda Wahrgren
Specialist Modern Art, Prints
+46 (0)702 53 14 89
Olle Baertling
(Sweden, 1911-1981)

"Dynamique Parisienne"

Signed Baertling and dated Paris avril 1953 on verso. Canvas 195 x 97 cm.

Provenance

Donated to the Swedish foundation Cancerfonden year 2001 and sold on auction arranged by TV channel TV4, Sweden.

Exhibitions

Quadrat Bottrop Moderne Galerie, "Olle Baertling", 17 April - 23 May 1983.

More information

"Invisible wealth is to be found in open form. It radiates a compressed concentration of highly-charged power that is transformed with suggestive radiant force into infinite space in strong dynamics and unknown dimensions. Art at its most sublime is a hymn of praise to creation, an invisible but ever-present force. A sense of the infinite, a flight to an invisible destination.

A positive change of man's inner life, a realization of his world of ideas. An intellectualization, a visualization of the positive source of creative power, a visualization of its ethereal beauty." (Olle Baertling @ www.baertling.com)

Artist

Olle Bærtling was born in Halmstad in Sweden and is most notable for his painting and sculpture. Bærtling studied like Bengt Lindström in Paris for André Lhote and Fernand Léger. His first exhibition took place in Stockholm in 1949. Bærtling works foremost in a geometric, non-figurative style, approaching his art as a scientist would his research. In 1956 Bærtling discovered his open form, the open trangle with sharp angles which express speed. When in 1956 he positioned the apex of the triangle beyond the boundaries of the frame, the canvas became merely a segment of an event occurring beyond our visual field. The sense of speed is emphasized by the colour, which gives the impression of higher velocities the closer to the triangle’s apex. Black outlines are strong characteristics of Bærtling’s art, while they may seem straight, they actually bend inwards towards the large fields, counteracting their outward pressure. Colour was also essential to Bærtling’s work, whereby it was imperative that they could not be found in nature and were not associated to any form or object. Thus Bærtling only utilised secondary colours: violet, orange, green, and Bærtling-white (a week green-tinted colour). His open form is most evident in the sculptures he made from 1958 onwards. Bærtling consistently delved into the interplay between colors and shapes, remaining unaffected by external artistic trends throughout his life. Today, we can see how artists such as Ann Edholm have been inspired by Bærtling's creations.

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