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1078592

Carl Malmsten

(Sweden, 1888-1972)
Estimate
40 000 - 60 000 SEK
3 580 - 5 370 EUR
3 660 - 5 500 USD
Hammer price
44 000 SEK
Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Eva Seeman
Stockholm
Eva Seeman
Chief Specialist Modern and Contemporary Decorative art and design
+46 (0)708 92 19 69
Carl Malmsten
(Sweden, 1888-1972)

a "Nefertite" desk, Stockholm 1940's-50's.

Veneered with palisander and inlays other different kinds of wood, five drawers, maker's mark CM. Measurements 120 x 60 cm, height 74,5 cm. Key included.

Some wear, faded.

More information

The model was designed in 1947.

CITES certificate, valid within the EU, included.

Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to coral, ivory, tortoiseshell and palisander.
Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to
bidding if they intend to import this lot into another country.

Designer

Carl Malmsten is one of Sweden's most famous furniture designers. Many of his furniture are considered modern design classics, for example, the cane chair "Lilla Åland", the armchair "Farmor", the sofa "Samsas", the cabinet "Herrgården", and the furniture series "Vardag".


Both "Lilla Åland" and "Vardag" adopted the ideals of "beautiful everyday goods" of the 1940s. Their neat shape and frugal design quickly became timeless interior details that we still see in many homes today.

At the beginning of his career, Malmsten interned at various carpentry workshops and studied furniture at Nordiska museet and Skansen. He had his breakthrough in 1916 when he was commissioned to design part of the interior of Stockholm's City Hall.


During his career, Malmsten collaborated with several architects, such as Ragnar Östberg, Ivar Tengbom, and Ferdinand Boberg. He designed furniture for Stockholm's concert hall and Ulriksdal castle. He participated in the now iconic hosing exhibition at Liljevalchs gallery in 1917, where the term "Beautiful everyday goods" was coined.

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