Göteborgs Konstmuseum (Gothenburg Museum of Art), "Konstnärsförbundets utställning i Göteborg", inaugurated June 29 1896, no. 79 (”Kosterbåt på dyningar”); Konstnärsförbundets utställning, Stockholm, 1898 (”Kosterbåt på dyningar”); Finska konstföreningen i Ateneum, Helsinki, "Konstnärsförbundets utställning i Helsingfors", March 8 - April 3 1899, no. 47 (”Koster i dyning”).

"Katalog öfver konstutställningen i Göteborg 1896", no. 79 (”Kosterbåt på dyningar”); exhibition catalogue, "Konstnärsförbundets utställning i Helsingfors 1899", no. 47 (”Koster i dyning”); Sixten Strömbom, "Konstnärsförbundets historia 1891-1920", Vol. II, 'Nationalromantik och radikalism', 1965, under 'Bilaga I. Medlemmarnas bidrag till förbundets utställningar 1891-1916', p. 476; Agneta Fjæstad Nordmark, "Fjæstad konst", 1999, p. 381.

Gustav Fjaestad was a pupil of Bruno Liljefors and Carl Larsson. He became renound for his depictions of Swedish winter landscapes, often with glistening icecrystals and bubbling water by ice's edge, sometimes lit up by the setting sun, sometimes in scales of grey, white and purple. He also designed templates for woven wallpapers, furniture, and wrought iron. He is represented in major Swedish museums as well as in Vienna and Chicago.

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

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