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1030189

Ann Edholm

(Sweden, Born 1953)
Estimate
30 000 - 40 000 SEK
2 650 - 3 530 EUR
2 810 - 3 750 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Louise Wrede
Stockholm
Louise Wrede
Specialist Contemporary Art, Private Sales
+46 (0)739 40 08 19
Ann Edholm
(Sweden, Born 1953)

"Untitled"

Signed Ann Edholm and dated 95 on verso. Canvas 43 x 43 cm.

Provenance

Galerie Nordenhake, Stockholm.

Literature

Charlotta Döbling among others (ed.), "Ann Edholm", 2000, pictured.

More information

2012 tilldelades Ann Edholm Carnegie Art Awards andrapris. Hon har även fått det prestigefulla uppdraget att utsmycka FN:s ECOSOC-sal i New York. Utsmyckningen består av en stor ridå, i vitt och orange, som hänger längs fönsterväggen i salen. Edholm var professor i måleri vid Kungliga Konsthögskolan 1992–1998 och är sedan 1999 medlem av Konstakademien. Edholm har haft flertalet separatutställningar såväl inom Sverige som internationellt. Hon finns representerad i samlingarna hos, bland annat, Moderna Museet, Norrköpings Konstmuseum, Malmö Museum och Göteborgs Konstmuseum.

Artist

Ann Edholm is a visual artist and printmaker, born in 1953 in Saltsjöbaden. He studied at Gerlesborgsskolan in Stockholm from 1970 through to 1980, and also studied at the Royal Academy of Fine Arts in Stockholm between 1981 and 1986. He was also a professor at the Royal Academy of Fine Arts and the Valand Academy in Gothenburg. They were awarded second prize at the Carnegie Art Award in 2011. Ann Edholm is one of the most interesting artists in Swedish modern art with her realistic abstractions. She paints geometric forms in stark colours with starting point in surface - color - chance - limitation - precision - transparency. The colourscheme in every composition is limited to a finite number of colours. Her works become eevated calm and a reverent silence. Her artworks remain untitled to avoid every connection with reality.

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