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441
960584

A bronze mirror, Han dynasty (206 B.C - 220 A.D).

Estimate
10 000 - 12 000 SEK
894 - 1 070 EUR
916 - 1 100 USD
Hammer price
11 000 SEK
Purchasing info
For condition report contact specialist
Cecilia Nordström
Stockholm
Cecilia Nordström
Senior specialist Asian Ceramics and Works of Art, European Ceramics and Glass
+46 (0)739 40 08 02
A bronze mirror, Han dynasty (206 B.C - 220 A.D).

The central knob rising from an ornate quatrefoil within a square enclosing twelve small nipples alternating with twelve characters representing the Twelve Branches, the main field with somewhat abbreviated TLV patterns as well as eight nipples. Diameter 15,5 cm.

Tarnished. Green encrustation.

Provenance

From the Collection of antique dealer Sten Röing (1880-1965), the collection was added to by his son Max Röing (1916-1984) during the 1950-60's, thence by descent.

Exhibitions

Compare similar at Christies Sale 2658
Luminous Perfection: Fine Chinese Mirrors from the Robert H. Ellsworth Collection. 22 March 2012, New York. Lot 1410.

More information

As early as 2000 B.C., bronze technology was highly developed in China, and objects made from this alloy of copper, tin, and lead were considered luxury items, reserved for the aristocratic class. Among these coveted pieces were small bronze mirrors, some compact and portable enough to be held in one hand, and others large and heavy enough to require stands. Usually cast from clay molds, they were highly polished on one side, offering a reflective surface, while the other side was decorated with intricate patterns and designs that reveal an astonishing level of skill and artistry in their craftsmanship. Birds, dragons, and serpents were common motifs in the earliest mirrors. Later, more sophisticated and intricate designs included mythological figures, deities, animals of the Chinese zodiac, abstract patterns, background textures, inscriptions, enamelwork, and inlays of jade, turquoise, and mother-of-pearl.

That these mirrors were prized by their owners is evident not only in light of their fine craftsmanship but also because of related artifacts that point to how they were valued. A pottery tomb figure dating to about the first century B.C. depicts a woman gazing into a mirror while applying powder to her face. An elaborate cosmetic set includes a bronze mirror from around the first century A.D., accompanied by a silk brocade pouch, a wool powder puff, and a lacquered wooden box. Artifacts such as these, along with the mirrors themselves, provide a fascinating glimpse into the private lives of their users.