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Lars Gynning

(Sweden, 1920-2003)
Estimate
50 000 - 60 000 SEK
4 470 - 5 370 EUR
4 580 - 5 500 USD
Hammer price
40 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

Lars Gynning
(Sweden, 1920-2003)

A TAPESTRY, "Ulriksdal", tapestry weave, ca 219 x 296 cm, signed Gynning PF AUBUSSON

(Lars Gynning, Pinton Frères). Designed in 1955. This motive is only woven in a few examples. (Rare).

Insignificantly worn and faded, slightly dirty, minor stains. A slight smoke odor.

Literature

Compare with the original sketch Brunius, Teddy: Lars Gynning Textila bilder, Lund 1985, plate page 29.

More information

Lars Gynning (1920-07-29 - 2003-10-29) är den svenske konstnär som betytt mest som skapare av mönster till vävda tapeter (tapisserier) i Frankrike under 1900-talet. Efter studier i både Sverige och Frankrike började samarbetet med den kända firman Pinton Frères i Aubusson på 1940-talet. Omkring 250 vävnader är tillverkade efter Gynnings förlagor. En av Frankrikes största textilstjärnor Jean Lurçat är en av de konstnärer som umgåtts med och tidigt påverkat Gynning som sedan helt skapat sin egen stil.
Lars Gynning var själv mycket intresserad av galopp.

Designer

Lars Gynning is the Swedish artist who had the greatest impact as a creator of patterns for woven wallpapers (tapestries) in France during the 20th century. After studying in Sweden and France, Gynning began collaborating with the famous company Pinton Frères in Aubusson during the 1940s. Around 250 tapasties were created after Gynnings designs. One of France's greatest textile starts Jean Lurçat is one of the artists who associated with and greatly inspired Gynning, the seed from which his own style grew.

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