Birgit Broms
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"Skridskoåkare II"
Signed B Broms. Canvas 36 x 52 cm.
Provenance
Bought at Thielska Gallery, Stockholm, Sweden.
Previously deposited at Sundsvall Museum by Sundsvall Art Association.
Private collection.
Exhibitions
Thielska galleriet, Stockholm, Sweden, March-April 1987.
More information
"En vinterdag 1967, när dottern Helen tog sina första steg på isen i Kungsträdgården i centrala Stockholm, fick Birgit Broms syn på rörelsen personifierad - skridskoåkarna i komplicerade ställningar. Det är som om motivet först sökte upp henne och därefter hemsökte henne livet igenom. I de tidiga verken har skridskoåkarna i alla fall en antydan till anletsdrag. Ansiktena suddas dock ut och kropparna blir allt mer stiliserade. De gåtfulla gestalterna far ut på isen; djärva, orädda, nästan våghalsiga."
(Ur: Joanna Persmans text "Förnuft och Känsla, Om Birgit Broms Konst", Birgit Broms, utställningskatalog, Nordiska Akvarellmuseet, , 2016.)
Artist
Birgit Broms was a Swedish artist who was born in 1924 and died 2008. Rhythm is imbedded into her artistry when she captures the motion of her speedy skiers. This scene is depicted so often that it has become synonymous with the artist herself. Her artistic output was modest, focusing consistently on a few themes: cityscapes, facades, archipelago boats, and ice skaters. She portrayed these subjects not merely to capture their likeness, but rather to solve formal and coloristic challenges. Simplification and abstraction were key elements in her approach, always emphasizing the role of light in highlighting her motifs. One cannot speak about Broms’ career without mentioning her portraits, a genre she did not begin until the end of the 1970s. Broms did not receive commissions, rather it was she herself that asked to paint a person if she found their face fascinating. The first person she asked was Erland Josephson, after which she received commissions from both the portrait collection at Manilla and the National Portrait Geller in Gripsholm. Birgit Broms was married to the artist Ragnar Sandberg between 1960 and 1972.
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