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Sandro Chia

(Italy, Born 1946)
Estimate
80 000 - 100 000 SEK
7 070 - 8 830 EUR
7 290 - 9 110 USD
Hammer price
70 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Sandro Chia
(Italy, Born 1946)

"Il Cavallo"

Signed Chia and numbered 3/6. Executed in 1995. Bronze. Height 64, width 65 cm. Metal base, height 81, width 60, depth 48 cm.

Provenance

Acquired directly from the artist by the current owner.

More information

A founder of the Italian Transavanguardia movement in the 1970s and 1980s, Sandro Chia is best known for his Neo-Expressionist paintings and sculptures, in which he contemplates the figural through dynamic compositions and bold use of line and color. Typically capturing his subjects in moments of movement, his works convey a sense of drama and heightened emotion. Often making reference to Italy's history and culture in his works, he has employed traditional mediums such as bronze sculpture, mural painting, and mosaic, and often references Italian Futurism, aiming to connect the present and the past.

This work is a maquette for a large sculpture in the town square of Sienna, Italy, where the famous Palio horse race takes place yearly at the end of June.

Artist

Sandro Chia is an Italien painter and sculptor. He studied at Accademia di Belle Arte in Florence. Chia was a leading figure in Italien figurative painting. In the 1980s he was dubbed as a neoexpressionist, yet his more recent works has developed into a expressionist classicism. He employs vibrant, colored, swirling brushstrokes reminiscent of the dynamic Italian futurists. At the same time, his work shows a kinship with the enigmatic allegories of the 17th century. Chia borrows loosely from art historical figures. While he may he borrow from classical iconography, he interoperates and manipulates it in his own way.

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