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David Bailey

(United Kingdom, Born 1938)
Estimate
20 000 - 25 000 SEK
1 770 - 2 210 EUR
1 820 - 2 280 USD
Hammer price
15 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
David Bailey
(United Kingdom, Born 1938)

"Man Ray", 1968

Signed David Bailey and dated 89 on verso. Edition 12. Gelatin silver print, image 22.8 x 22.5 cm. Sheet 34.5 x 27.6 cm.

Provenance

Tres Hombres Art, Halmstad.

Exhibitions

This motif, another example, was exibited Victoria & Albert Museum, London, "Black and White Memories", 28 September – 27 November 1983.

Literature

David Bailey, "Black and White Memories: Photographs 1948-1969", 1983, illustrated p. 112.
David Bailey and Martin Harrison, "Archive One 1957 - 1969, 1999, illustrated p. 246.

More information

From Jonathan Heafs interview with Bailey publiced in QX Magazine 29 March 2012.

"The mythological coolness of a David Bailey photograph, and the mythological coolness of David Bailey himself, has its roots in the period he is most famous for, which, as it happens, is the period that the photographer likes talking about the least - the early Sixties. "The Sixties was great for the hundred or so of the ponces in London like me who were taking pictures or making movies or being Mick Jagger... but ask a coal miner from South Yorkshire what he thought of the Sixties and he'll tell you just how cool it really was."

But for all Bailey's modesty, he was part of a photography movement (along with fellow East End boys Terence Donovan and Brian Duffy) that would not only change the look and feel of the medium - whether that be in fashion magazines or celebrity portraiture - but also leave behind a body of work that would come to represent the period at its most iconic. Before these bullish, scruffy males tornadoed through the studio doors, the world of glossy magazines, models and expensive clothing was all very pretty, mannered and impenetrably middle class. As Duffy once said, "Before 1960, a fashion photographer was tall, thin and camp... but we are different: short, fat and heterosexual!"