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37
780702

Sven X:et Erixson

(Sweden, 1899-1970)
Estimate
80 000 - 100 000 SEK
7 150 - 8 940 EUR
7 260 - 9 070 USD
Hammer price
70 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Marcus Kinge
Stockholm
Marcus Kinge
Specialist Prints
+46 (0)739 40 08 27
Sven X:et Erixson
(Sweden, 1899-1970)

"Hamnbygget i Portugal" (Port construction Portugal)

Signed and dated Sven Erixson -36. Canvas 62 x 75 cm.

Provenance

The artist Eric Grate.

Exhibitions

Färg och Form, Stockholm, "Jubileumsutställning", February 1942.

Literature

Folke Holmér m.fl.: Sven Erixsons konst, SAK 1967, compare similar painting p. 102.

Artist

Sven Erixson, today more commenly known as X, was born in 1899 in Stockholm. He studied to become a decoration painter and art teacher at the Technical School in Stockholm after which he studied at the Higher School of Art and Design alongside study trips to Germany, France, Italy, Spain and North Africa. Despite being an inportant artist amoungst Swedish art, Erixson does not let etiquette and style limit his painting style. His greatest creation is defined by a tempremental style in stark colour patterns. Erixson's paintings balances between impressive, somewhat brutal expressions and a soft lyricism. He is one of the founders of the group Färg och Form, whose primitivist faction he belonged to. With an aura of narrative joy, Erixson recounts his experiences. He had an irresistable desire to share everything that he saw. He was inspired, much like Bror Hjorth of both folk art and mural painting from the middle ages, while also finding inspiration from German expressionism. But he speaks with greatest esteem about Chaim Soutines art. In a multitude of paintings, he conveyed his zest for life, with surfaces filled with swiftly captured figures. During the 1930s, his visual world was filled with family and the idyllic torpor, his canvas became greater and more complete. During the war he painted on butter paper, not only for practicalities sake, but also to take advantage of the slippery reflective surface which the paper supplies. Narration decreased in the 1950s when he was influenced by spontaneity, which in the following years led him to abstract spontaneous painting.

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