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773035

Gösta Adrian-Nilsson

(Sweden, 1884-1965)
Estimate
40 000 - 50 000 SEK
3 580 - 4 470 EUR
3 630 - 4 540 USD
Hammer price
44 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Lena Rydén
Stockholm
Lena Rydén
Head of Art, Specialist Modern and 19th century Art
+46 (0)707 78 35 71
Gösta Adrian-Nilsson
(Sweden, 1884-1965)

"Livsfarlig ledning" (Deadly cable)

Signed GAN. Executed 1922. Watercolour 30,5 x 23,5 cm.

Provenance

GAN gave the painting to the artist Erik Olson in summer 1923. Hence through heritage.

Exhibitions

Exhibited on several occasions at Mjellby Konstmuseum and other GAN-exhibitions at museums in Sweden

Waldemarsudde 2011 ”GAN – Modernist, pionjär och
outsider” catalogue no. 107

More information

Proveniensen intygad av Viveka Bosson, Mjellby konstmuseum, den 15 januari 2014.

Artist

Gösta Adrian-Nilsson is most notable as a visual artist, and he is a pioneer of Swedish modernism. He studied at the Tekniske Selskabs Skole in Copenhagen and later for Johan Rohde at Zahrtmann’s school in Copenhagen. As an avant-gardist, Nilsson was constantly searching for new influences. In Berlin, he was influenced by the circle around the radical magazine Der Sturm, through Kandinsky and och Franz Marc. In Paris through Fernand Legér and the artists in his circle. GAN was an eclectic in the positive sense of the word. He took the the artist styles of the 1900s and created new impressions. Symbolism, cubism, futurism, expressionism, constructivim and Theosophy were the colours occupying his internal pallet. He had a sharp eye for the masculine and his painting was often energized by the vitality of modern technology, vibrant eroticism, and echoes of tyrants. No other Swedish modern artist exhibits such a unique style.

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