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342315

Olle Baertling

(Sweden, 1911-1981)
Estimate
400 000 - 450 000 SEK
35 300 - 39 800 EUR
36 400 - 41 000 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Johan Jinnerot
Stockholm
Johan Jinnerot
Specialist Art and Old master paintings
+46 (0)739 400 801
Olle Baertling
(Sweden, 1911-1981)

"Kiara"

Signed Baertling and dated 1974 on verso. Canvas 180 x 92 cm.

Saleroom notice

Buyers will be charged an import VAT of 12% in addition to the buyer's premium, on the hammer price.

Import VAT

Import VAT (12%) will be charged on the hammer price on this lot. For further details please contact customer service +46 8-614 08 00.

Provenance

Acquired directly from the artist by the present owner during the 1970s.

Literature

Teddy Brunius and Oscar Reutersvärd, "Baertling. Creator of open form", 1978, reproduced full page.

Designer

Olle Bærtling was born in Halmstad in Sweden and is most notable for his painting and sculpture. Bærtling studied like Bengt Lindström in Paris for André Lhote and Fernand Léger. His first exhibition took place in Stockholm in 1949. Bærtling works foremost in a geometric, non-figurative style, approaching his art as a scientist would his research. In 1956 Bærtling discovered his open form, the open trangle with sharp angles which express speed. When in 1956 he positioned the apex of the triangle beyond the boundaries of the frame, the canvas became merely a segment of an event occurring beyond our visual field. The sense of speed is emphasized by the colour, which gives the impression of higher velocities the closer to the triangle’s apex. Black outlines are strong characteristics of Bærtling’s art, while they may seem straight, they actually bend inwards towards the large fields, counteracting their outward pressure. Colour was also essential to Bærtling’s work, whereby it was imperative that they could not be found in nature and were not associated to any form or object. Thus Bærtling only utilised secondary colours: violet, orange, green, and Bærtling-white (a week green-tinted colour). His open form is most evident in the sculptures he made from 1958 onwards. Bærtling consistently delved into the interplay between colors and shapes, remaining unaffected by external artistic trends throughout his life. Today, we can see how artists such as Ann Edholm have been inspired by Bærtling's creations.

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