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396
371940

Torsten Andersson

(Sweden, 1926-2009)
Estimate
60 000 - 80 000 SEK
5 360 - 7 150 EUR
5 450 - 7 260 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

Torsten Andersson
(Sweden, 1926-2009)

"Studie I" (Study I)

Executed in the 1950's. Canvas 104 x 70 cm.

Smärre slitage.
Krackelyr.
Ytsmuts.

Provenance

Acquired directly from the artist.

Exhibitions

Riksförbundet för bildande konst, "Återblick på 50-talet", exhibition no 221, 1960.

Designer

Torsten Andersson is a Swedish visual artist who was a student at the Royal Institute of Art in Stockholm from 1946-50 and then professor from 1960-66. He has twice received the Carnegia Art Award, winning first prize in 2008, and winning the Chock prise in 1997. Andersson has dedicated himself to an explorative form of painting, seeking what he terms his own language and a new path for painting. In the early 1960s, Andersson reached a breakthrough with his paintings “Måsen” and “Källan”. Later he focused on painting portraits of fictional sculptures. Known for his vigorous self-criticism, Andersson is known for destroying works that he believes don’t live up to his fullest potential.
During his lifetime Andersson exhibited internationally and participated in the 32nd Venice Biennale in 1964 and the São Paulo-Biennale in 1959 och 1983. Retrospective exhibitions of his work was held at Moderna Museet in 1986 and Malmö Konsthall in 1987. His work was featured but not limited to solo and group exhibitions at Gothenburg’s Art Museum (2008), Moderna Museet in Stockholm (2006), Zeno X Gallery in Antwerp (2003), Konstmuseum Bonn (1999), Louisiana Museum of Modern Art, Humlebæk (1997), Malmö Konstmuseum (1995), and Centre Georges Pompidou, Paris (1981).

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