No connection to server
Theme auctions online
Systembolaget Wine and Spirits auction D065
Auction:
Björn Weckström 90 years E1167
Auction:
Curated Timepieces F583
Auction:
A Private Collection of Gibson Guitars E1156
Auction:
Erik Chambert – Geometric Art F591
Auction:
Japanese Prints and Works of Art F594
Auction:
Swedish Modern Lighting – February Edition E1140
Auction:
Selected Silver F598
Auction:
Shadows & Silhouettes E1166
Auction:
Live auctions
Contemporary Art & Design 662
Auction: April 15−16, 2025
Important Timepieces 663
Auction: April 15, 2025
Modern Art & Design 664
Auction: May 20−21, 2025
Important Spring Sale 665
Auction: June 11−13, 2025
265
308221

Elina Brotherus

(Finland, Born 1972)
Estimate
60 000 - 80 000 SEK
5 520 - 7 350 EUR
5 640 - 7 520 USD
Hammer price
Unsold
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

For condition report contact specialist
Karin Aringer
Stockholm
Karin Aringer
Specialist Photographs and Contemporary Art
+46 (0)702 63 70 57
Elina Brotherus
(Finland, Born 1972)

ELINA BROTHERUS, Triptyche. Edition 5. Photography in colour mounted on aluminum and a glass plate with text.

"My mother's wedding dress, my father's wedding suit, my mother's funeral dress", 1997. Photography in colour 150 x 110 cm/piece and a glass plate with text 50 x 36.5 cm.

Wear.
Surface dirt.

More information

Brotherus arbetade med serien "Das Mädchen sprach von Liebe" under åren 1997-1999. Hon har beskrivit arbetet med sviten på följande sätt:
"I do believe in the profound 'sameness' of human beings. People die and new ones are born; people fall in love and they separate. In every person's life there are both large and small tragedies, much and little happiness; there are emotions and needs. That is why fragments from my life might seem familiar to others as well. In a way I provide the viewers with a blank screen, a surface on which to project their own feelings and desires. Most often my work deals with love and its side-effects; the absence or presence of it in its different forms."