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Hilding Linnqvist

(Sweden, 1891-1984)
Estimate
100 000 - 125 000 SEK
8 940 - 11 200 EUR
9 070 - 11 300 USD
Hammer price
87 000 SEK
Covered by droit de suite

By law, the buyer will pay an artist fee for this work of art. This fee is 5% of the hammer price, or less. For more information about this law:

Sweden: BUS
Finland: Kuvasto

Purchasing info
Image rights

The artworks in this database are protected by copyright and may not be reproduced without the permission of the rights holders. The artworks are reproduced in this database with a license from Bildupphovsrätt.

Hilding Linnqvist
(Sweden, 1891-1984)

"Nilskutor vid Kairo" (Nile boats by Kairo)

Signed with monogram. Executed in 1947. Canvas 81 x 117 cm.

Provenance

Carl Nylander, Nynäshamn.

Exhibitions

Liljevalchs konsthall, Stockholm, "Hilding Linnqvist", October 1957, cat no 255.

Literature

Liljevalchs konsthall, "Hilding Linnqvist", 1957, reproduced on page 77.
Moderna Museet and Göteborgs Konstmuseum, "Hilding Linnqvist", 1986, cat no 76.

More information

In the exhibition catalogue from Liljevalchs konsthall, the painting is called "Nilskutor med kalksten, Luxor".

Designer

Hilding Linnqvist is one of Sweden's most important naïve painters and became established and known early on for his colourful compositions. Linnqvist was a key figure in lyrical naivism in Sweden, with a style of painting that departed from the technical perfection he had been trained in. Several Swedish artists joined this innovative direction for the time. After studying at the Technical School and the Royal Swedish Academy of Fine Arts, he was inspired by Edward Munch and Ernst Josephson's malaise art, which led him towards a freer and more uninhibited style of painting. During the 1920s, Linnqvist travelled abroad several times and his colours became brighter and his subjects more detailed.
He later painted coastal scenes and portraits, among other things. By the early 1940s, Hilding Linnqvist was an established and well-travelled artist, as well as a professor at the Royal Academy of Fine Arts in 1939-1941 and the subject of a major exhibition there in 1940.

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