"Untitled", 1999
Signed Maria Friberg and dated 1999 and numbered 3/6. C-print, laminate, aluminum. 5 pieces, 47 x 52 cm each.
Galleri Charlotte Lund, Stockholm.
Tempo, Passagen, Linköping, 2000.
Galleri Charlotte Lund, Stockholm, 2000.
European Central Bank, "Contemporary Art from Sweden", Frankfurt am Main, 2003.
Faulconer Gallery, Grinnell College, Iowa, 2005.
Kristinehamns Konstmuseum, Kristinehamn, 2006.
Museet for Fotokunst, Brandts Kledefabrik, Odense, 2008.
Strannegård, "Already elsewhere- om lek, identitet och hastighet i affärslivet", 2001, reproduced page 59.
Edition 6 + 2 AP.
Maria Friberg was a Swedish artist who primarily worked with photography and videography. Her primary theme was masculinity, whereby she investigated the traditional male adopted roles and its properties which has through history been defined as "masculine". Since her breakthrough in the 1990s alongside other female photographers who were educated at Gothenburgs photography school, Friberg has offered his growing audience enigmatic, powerful, and imaginative staged images of men. They float tranquilly in pool water, are squeezed into cars, sometimes sleeping among white sheets, or only their lower halves are visible as they sit in suits at a table. She works with staged photography and often uses art historical references. Friberg likes to work in series, varying a motif across multiple works. Some of her most well-known series are "Still Lives" and "Almost There."
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